Ignorant Son Of A Gun

 

The AMEN Break, above, is the most famous drum phrase used in music of sampled drum music culture. 

For most of that time, I didn't know about it. 

I knew of Recycle, a tool for manipulating such a sample when used with a sampler and a midi sequencer, but never went deeper into it. Okay, "so what" you say, but the thing is, I was in the music industry for all that time, designed the worlds first 16 bit sampler electronics, thought I knew about music tech and applications, then spent years in Roland R&D in Japan, where no one else know about it either! What an "Ignorant Son Of A Gun" I was.

I now think the AKAI MPC was probably a much more culturally significant device that influenced Music Culture through HIP HOP than the Fairlight Instruments CMI did, even if the CMI was the sound of 80s pop music.  But I didn't see that during my 15 years in R&D in Roland Japan.

For the last 20 years I have been off in my own world with heavy guitars and synths with my own music, and apart from ezdrummer, haven't used a sampler. Haven't looked at sampling much at all.  Reaper Digital Audio Workstation, guitars, distortion and analog synthesizers were and still are my interest.  Distorted guitar and Analog Synthesizer sounds, mostly VSTs but do have a KORG MS20mini, are what I use.  

But I had YouTube recommend SPITFIRE SAMPLE LIBRARY videos and other such things over the years. Two years or so ago a friend tweeted about the PIANO BOOK vst and site and some library, and I made an account and looked at some sounds with it, but have never used the one or two things I downloaded. 

I wasn't interested in Orchestral Samples, no matter how amazing SPIRTFIRE's maybe, as my interest in that direction is covered well enough by Garritan Personal Orchestra 4.  That was used in the production of Metalocalypse .  The Orchestra to use, when you aren't really into Orchestral sounds.

So I find myself, today amazed at my ignorance again!  

Benn Jordan on Bluesky posted some things and a link to an explainer video on the self destruction of Piano Book and Spitfire through a founders anti trans stance.  I had completely missed all of that, even though I did know one of the founders was now doing his own thing independently from  them.  I just don't care what other people do around that kind of thing, it isn't any of my business.  

Live and let live works for me. 

The older I get, the more I realize the less I know, about anything. 

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Sunday Jam on Monday, and 2025 Osaka Guitar Messe

 

Always this way. Do something quickly, listen to it a few times, put it out as a quick thing, and want to change it the next day. No matter how "okay" it seemed immediately after doing it. 

Nothing break through here. Same comfort chord progression and lead scale. BUT, after a week of FINGER DRUMMING practice, I am now good enough to actually play something in time, and that is what the drums are here. So I call that progress. 

But doing this makes me think more about my John Carpenter/ Rock Guitar + Synthesizer + Sequencer direction. I am far more interested in that than faking a one man metal band. At least this week 😁

Which reminds me, 12 months ago I was really into Melodic Techno. I still have this in a Playlist and find it fits in perfectly. I don't even realize it is mine when it plays.

Has no guitar what so ever. Has MS-20mini though, which is aggressive for a synthesizer.

Osaka Sound Messe 

May 10/11 is The Osaka Guitar Messe, and Mattias will be there with his now in production 6,7 and 8 string Ulv Freak Guitars at the Zanshin Instruments booth as well as doing 5 or 6 guitar clinics over the weekend.

Takes something like 90minutes, almost as far as Osaka Expo 2025, to get to the ATC Hall Osaka by train from home:

I want to go to Mattias's clinic, but need to enter  the Messe to get a ticket. So will get to the Guitar Show. 

I used to go to Musical Instrument tradeshows a lot during my time at Roland, but NAMM only once. But this is a guitar show, and apart from seeing the Ulvs, I don't really care about looking at guitars, and kind of feel out of place at such an event. I am not such a "guitarist".  I don't collect guitars, even if I do have 4, 6, 7 and 8 string instruments.  I have zero interest in having 4 different colored 6 string PRS, Ibanez, SG or Les Paul guitars, as collector guitarists do.   I think a Guitar Show, is for collector guitarists.   

But I may have an interesting time talking to the people on the booths though.  Hope it doesn't rain, and the day with the least chance of rain is probably the day I go, but hope that is Saturday.

Talking with people on the booths is the reason to go. I was in "the Industry" once.

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Oblique Strategies - Creative Inspiration

 

Oblique Strategies is a 120+ card method for promoting creativity jointly created by musician/artist Brian Eno and multimedia artist Peter Schmidt, first published in 1975.

Above is a version with 100 Strategies for use with a D100 dice. This will give enough random prompts for creativity for anyone.  I created the numbered lines in Excel. But for me, my mind wonders off by its own anyway when I aren't focused on something I am working on, so haven't found the sheet and dice particularly helpful, but it was worth trying. Other types of things work better for prompting my own  creativity it seems.  

I am in between projects the last few days.  And that makes for a random path till the next project. My own kind of Oblique Strategies, that isn't a randomly selected ambiguous phrase, but actions and thoughts that eventually lead me to my next project.

Rereading Masamune Shirow manga (that 6 wheeled bike above from APPLESEED VOL3, obviously inspired by Akira, that was inspired by Syd Mead TRON design, is really cool) and doing a few other bits and pieces. Like use the cool ION STORM in UNIVERSE IMAGE CREATOR, in video text, like here:

Recorded some door  noises around the house with my Zoom H1 recorder and manipulated them to use in some yet to be determined piece of music and animation:

That came out of recently founding out about French Metal Band IGORR  and their use of recorded sounds, AI and making of strange videos.  Something I do in the future will be because of inspiration from them. 

Have been practicing FINGER DRUMMING using the Akai pad controller. Why is it the pads always look dirty?

I don't need to be able to play a whole drum track live, but the practice and just doing things different triggers something in me that is encouraging.  A different kind of Oblique Strategy prompt. Doing the basics suggested in THE QUEST FOR GROOVE has made a difference for me in a couple of days too. 

This is the 3rd different Akai pad layout I have tried and have found it the best. The main assignments are also the same as in the Yamaha FGDP-30, which is an interesting development to me. A drum machine without the sequencer, for playing live. Has a USB interface for controlling a VST as well though, and really a DAW is a way better sequencer!

Have found putting the Akai on a small folded towel makes it "better" than being just on my NITORI desk. It is quieter and not as hard on the fingers.  

It seems that being not good at all with finger drumming has completely killed my recent normal routine of making some 60second piece of music and putting a comic to it to do a music+comic.  That and kind of hitting a wall with my technique and composition approach recently. 

Last thing I did was this: 

And felt I was just repeating myself more than normal. It needs more, and I need to change/ learn/ practice to do that.  Maybe that requires going back to Melodic Techno for a bit and putting the guitars aside.  Being more proficient with playing some drums on pads feels like part of that too. 

The Appleseed manga has many complex panels with cityscapes and machines and people. They add greatly to the atmosphere of the work, but must have taken so long to do. Looks great, but that really isn't the kind of comic I want to make though.  So I then think, "what kind of comic is the thing I want to make?"  I know most of the answer to that already.

Non-Fiction is what interests me most, as I find, now (is it just an age thing?) I don't care for made up stories and arbitrary danger to the protagonist.  I keep coming back to the format of Topgear, as an entertainment format that had more great moments for me than other things I ever watched. 

Which brings me to my HEAVY METAL GARAGE comic which is rather like that😁.

I only recently discovered Dino_DC and vbloggers like Sammit with their focus on Japanese Car Culture.  I knew about Initial D from my oldest son many years ago and Tuner Kei Cars are things I admire in the car park of my local 7/11 almost every time I visit. 

Have watched many car shows over the years. Monster Garage, Full Custom Garage, Extreme 4WD (and many others from that network), Counting Cars and recently Rust to Riches.  Things like Extreme 4WD & Full Custom Garage were more hands on real workshop stuff than some other more reality TV style. 

So it was interesting  (but terrifying is closer)  to see a "famous" Japanese shop, put a super wide body kit on a yellow Porsche owned by Dino_DC.  Guy didn't wear a mask, or goggles or gloves while working fiberglass or an Allsaw.  He cut into the fenders to make clearance, but then didn't treat any of the exposed metal with an epoxy primer or anything, to stop it rusting away. Mmmm, that could be all done way better, even if the resulting car looked awesome, it isn't going to last. 😧

I feel more HMG comics focused on the Japanese Car Culture scene is likely this year. I mean, even that wonderful 1970s Lancia Stratos HF ZERO was in Nara Japan last month!

Update: April 27

And did this yesterday. Very off the cuff animation, and the door fx is a main part here.

"After a late night audition to be a guitarist in a KISS parody band, our wana be rock star takes a midnight short cut through a grave yard...."

And on the Finger Drumming front, practicing 5~10 minutes a few time a day makes a huge difference after a week. The pads just fall under the fingers and timing and groove comes more naturally too. 

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Masamune Shirow Art Work & Exhibition

 

Glad to say the Osaka Expo this year hasn't killed off all competing exhibitions. That still seems to be the case for the next 6 months in Kansai,  but Tokyo is a different story.

Last week end the Masamune Shirow  Exhibition opened in Tokyo. 

I hope to be able to stop in, see the works and get the exhibition book during a coming trip to the kids and grandson in Chiba before it closes in August. 

Masamune Shirow is not his real name. That is actually Masanori Ota, and for the longest time he remained anonymous. 

His GHOST IN THE SHELL,  the translated to English, and page flipped (so it was read left to right on the page) comic version was the first Japanese Manga I read in maybe 1995. It is still really something. I was living in Japan at the time and it was still very early stages of websites, and I didn't find out about APPLESEED  and his other works till I went back to Australia in 2001. 

I am currently rereading the 4 volumes of APPLESEED I bought at Kinokuniya Sydney Australia and think wow. The mechanical designs and architecture backgrounds in particular are amazing.  I just think "that must have taken so long to draw" which adds hugely to the atmosphere, but you pass the panel in a second.

The exhibition also has work in progress material, as he copied his in progress (as a backup?) work.

This is the kind of mangaka exhibition I want to see, with manga pages, completed and not.  That was a disappointment for the Nagano Mamoru Exhibition I attended in Nagoya last year, that had no manga pages at all.

The exhibition book is now on Amazon Japan, so I don't have to lug it home when I finally visit:

Yes the GHOST IN THE SHELL Anime is cool too, I particularly like STANDALONE COMPLEX, but the manga is great without them. 

 

When done with APPLESEED, will reread GHOST IN THE SHELL too. I do remember not being so thrilled with the final volume, MACHINE INTERFACE, but all good.

2 years ago, Otomo Katsuhiro had a huge display of artwork for his AKIRA animation, and all his manga were re-released in the OTOMO COMPLETE WORKS series.  I didn't know about the Osaka show till the day before it was to close. Still dealing with Covid controls at the time, you had to pre-purchase the ticket, and specify the time to attend attend, like 11AM till 11:59AM. The ticket may not be available for that time slot though, and it just seemed too difficult, so I didn't go. 

Yes, AKIRA is awesome and his artwork is amazing, but OTOMO as a story teller doesn't interest me as much as Masamune Shirow has.  His recent episode of Manben neo was great though, and made me track down his DOMU and FIREBALL. His artwork is incredible.

I have a fascination with the comic medium.  But I think life is too short to put as much detail in a panel that Otomo has!

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Dream Weaver, What AI hell have you brought to this world today?

 

This mornings musical ditty + comic. 

So the Shopify CEO now wants it proved AI can't do a software task before he will employ a human to do it.  The kind of thing that is the same issue as AI generated pop music or art. Replacing people with AI to save a corporation money.  

Enshittification continues.😟  

This is going to be a huge problem, and I suspect government regulation, like health regulations, are required to ensure greedy corporations don't poison its customers and workers for short term profit.  But that probably will not happen outside the EU.

In the comic I put LCD.  Lowest Common Denominator, so an inbred Hill Billy with an extreme learning disability can completely "get it".  Rage and hate are also easy "to get" and are major parts of Social Media and right wing pundits. 

I didn't use any AI to make the music though, just 8 string guitar, synths and a microphone 😀.  The vocal does have a very wide chorus on it, which makes it sound AI. Based around a Gary Wright Dream Weaver like, but wrong,  bass pattern. 

And just that bit of vocal + bass:

AI has also made fake news more convincing.

But China is being funny, showing American Factory workers as part of MAGA. 

Benn Jordan made a terrifying video about X and how bot farms were being powered by ChatGPT. Has a section with hundreds of supposedly human account commenting in something, and them giving the same ChatGPT apology. 😲  What he found made him quit X .  There are just so many bad actors out there. 

I find it total garbage. A waste of time posting anything at all myself, and am still there only to follow some, like 浦沢直樹_Naoki Urasawa公式情報

I actually think AI has legitimate uses, and I am not dead against it. In the same way Photoshop Filters can add greatly to an artwork in the way they automate somethings painting or edited would take too long to do.  I am just dead against corporations using it to rip off people, in all the ways they can.

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