Our website DNS renewal was strange this time. The Hosting Company and DNS seller had been bought by another company a few years ago and the billing system has changed.
For the last week our site was mostly off line. An email came a couple of days ago blaming "old infrastructure".
My DNS was due for renewal, and I never received the email about it, as I did in 2024, 30 days before expiry date like the last time it renewed.
I logged onto the DNS management console and found I had the Notifications there from 25 days ago. I used the option to resend the email to myself.
Emails never came.
Strange.
I have sent emails to the support email given in the account support section.
No replies as yet.
Anyway, the account was set to auto renewal, same as in 2024, so I didn't think much about it. They were having problems and website was mostly down anyway.
Then I contacted support. Got no reply.
I finally found a few layers down "a compliance issue" related to the DNS renewal.
I retired, left Australia 7 years ago and lost my soletrader ABN, the government issued business number.
I discovered after my DNS wasn't renewed, that without an ABN, you can not have a .com.au in your DNS.
I wish I had known about that a year or so ago to be able to prepare. For a few years I had always been forwarding our sites email to gmail for my wife and I. I had also opened new account for the last years with the gmail account as the filtering and SPAM control was better.
But my wife only used the one email. All the services she made accounts on, need to be changed somehow...
Interesting times ahead.
I can just buy a new DNS.xxx and have the website back up, but it will not be in Google anymore, and become unfindable with GOOGLES current advertisers first strategy. For the last few years 99.9% of traffic was BOTS and AI scrappers anyway, so doing that isn't so attractive. In the last 2 years, only previous customers had ever contacted me. No one new.
Previous customers will not be able to contact me anymore, unless I bulk email them of change of contact info. Not out of the question. There aren't many from the last fee years.
I have yet to get any support from the hosting and DNS company after using their support request system. I assume the new company that bought the previously excellent hosting company has made changes that make them not excellent now..
Until this year, our website had never been down for days. And that was before the DNS expired.
I have namecards, stickers and watermarks on all the material on our YouTube and images with .com,au ๐
Still thinking about how to move forward...
Beginning to think waiting for a support response, or something from the automated COMPLIANCE escalation I did will come to nothing.
Who are you when you take away your career? People’s perception of you shifts constantly based on how you look and what you’ve done.
Shockingly so...
Had many experiences where the way someone acted toward me was just so inappropriate. And now you want me to buy your product?? ๐ง
Some of the rudest ever were Musical Instrument store staff (particularly the heavily tattooed guitarist that "was a rock star" but he just hadn't "made it" yet) type when I had gone in to look at a guitar pedal or some gear in Sydney in the 70s/ 80s...
ใดใใคใด Tommy Snyder was a Roland Japan demonstrator/Product Specialist and he was always so condescending to me. Not sure if it was (A), I'm the gaijin here, (B) I'm a rockstar and you are beneath me, or (C) the tech I tried to get his thoughts on was over his head, or all of the above. Other foreign product specialists were not like that at all. Even the Americans like Tommy.
So different from meeting TV/ROCK star Jon English when I worked at the Roland office in Sydney before moving to Japan. Wonderful guy, chatted about PZM microphones and his home recording studio. Or the awesomely wonderful/ kind/ helpful Mattias IA Eklundh of Freak Kitchen.
Our Story/ Who We Are as a short webcomic.Track on Bandcamp.
I had posted this to our Facebook a week ago and people that know me responded favorably. More than me just posting a usual music+comic thing, which are mostly ignored.
Putting it on YouTube SHORTs this week, but think that platform is all rather broken and isn't worth putting any effort into. Certainly not a priority for me at all now.
Since YouTube stopped prioritizing SUBSCRIPTIONS a few years ago, the YouTube experience has greatly deteriorated. And that they have emphasized SHORTS over long meaningful content the last few years is IDIOCY. I saw something in the last few days that they are changing focus to target TV living room viewing now.๐
I am not a YOUTUBER talking to camera about something, even if this is the start of a short series in that format. These shorts are referring to music I have already released that no one noticed. This video has no slow intro, gets to the point in the first 2 seconds and has a real person in it, the way most of my stuff doesn't. Have read this is now important to YouTube videos.
I have never been about getting subscribers and assume they take into account my very rarely changing number of Subscribers ( just 242 as I write this), means my channel has a value of $0 relatively, for Google's advertisers.
I hate the way YouTube manipulates creators, such as musicians into doing reviews and gear box openings and what have you, rather than presenting their MUSIC, as that is what gets views! I fear that I too have been manipulated.
Since doing this one I have bought the inexpensive DJI Mic Mini (1x TX 1x RX) wireless microphone set and installed Open Camera on my SHARP Android phone to be able to use the external microphone. Seems to work well, and the sound is way better than the camera alone. The sound is really important to me. Bought the small phone tripod/selfie stick a few years ago and is very useful. Mostly gets used to hold the camera on the kitchen table when doing family photos though.
Fun learning and practicing new things. Still using ancient VEGAS Movie Studio but as yet haven't bothered to download Davinci Resolve and learn how to use it. I just wonder of it would render any faster on my i7 or not.
Wil Wheaton's Radio Free Burrito was a Podcast I listened to for a few years before he stopped doing it. Just him doing a radio show with music he liked. I thought it was interesting and I tried doing my own, hosted on my own www.artandtechnology.com.au website. Talked about current issues I had, music I was making and whatever else was going on, the way I do on this blog. I did 3 episodes then gave up and shortly later deleted them from our site. No one listened to it, and bots just continuously downloaded the files all the time wasting the site's bandwidth.
Other Things
Joshua Heath Scott the JHS guitar pedals guy, has a channel on creativity. Loves photography and has a collection of books on philosophy and creative works that I just wouldn't expect.
And then something like this:
"find the courage to make and share creative work", is the focus of the book. Not something I have a problem with and it doesn't mention anything I don't know at my stage of life.
Such as YOU CAN'T PLEASE THE MASSES with your strange quirky stuff. If one likes it, that is enough.
He makes an interesting observation, not from this book, that I have felt, but have never heard before. Every other thing you learn pours into (supports and improves) all the other things you do. You get innovation when you pull in your experiences from a different field.
UNIQLO 790ๅ out of season clearance and XL size! YOASOBI: producer+ musician+ singer originally making songs from an amateur writers website. Not a fan of their J-POP music, BUT LOVE the illustration on the back๐!!! Name on front so cool too.
Yoasobi is "nightlife" in Japanese.
Reminded I tried to learn freehand airbrush, the way you do things like t-shirts 10 or so years ago. This is one of the dozens of large practice pieces of paper I filled. I can use airbrush on sculptures and models, but that can use lots of masks and is a very different process.
T-shirts use a different type of paint. I just got sick of practicing the strokes, the smell, the mess, the steady hand you need, and cleaning the airbrush. I just hate cleaning the airbrush! I still have 3 airbrushes but haven't used them much in the last years with my music production focus.
I don't expect I will ever get back to any freehand airbrush. It turned out it just wasn't "my thing".
The comic Punk'N Head I had ordered never showed. When I check the supplier on AMAZON JAPAN, all they gave was a 3rd part shipping agent: GLOBAL HUB in Los Angeles, not who they actually were. A few days after THE DELIVERED BY DATE I found many other had found the same experience and that the supplier couldn't be trusted. I left a 1 star review and that it seemed it could be FRAUD. I got a refund no questions asked. My first such experience, and a reminder to check who you are actually getting something from on Amazon.
A very different SHORT for me this week on the inscrutable SHORT algorithms and why am I making stuff and subjecting myself to the whims of Google/YouTube. Featuring ME!
Recent view numbers of our MUSIC + COMICS SHORT have been really bizarre. [irony]It just doesn't make sense. A Mystery indeed . Wonderful...
[/irony]
Last weeks Fake Kyoto FM remix12 did fine again. It just doesn't make any sense and feel am just having my chain yanked, and don't want to play this game anymore. Even though I know it has never been a level playing field anyway.
I have never been "A YouTuber".
At first YouTube was a place to share some videos explaining Stratocaster Shielding and Making a AURATONE like speaker and I embed them in my own website around 2010, but I mostly had slide shows of my illustrations with one of my instrumental 3 minute music tracks. Later I put just the music on Soundcloud, and later again Bandcamp.
One video got 59k views. My videos were monetized back then. But that stopped after a few years of changing YouTube requirements when they pushed for long form more popular "TV like" content. I think this is when YouTubers happened, but I never really watched YouTube at the time. It was just a f a place to demo our stuff.
When my "slide shows with music format videos" stopped getting any regular views at all, I stopped making them. It was time for a change. Made a few other random things, but I didn't give YouTube much thought for quite a few years. I didn't watch it either and had other things to do.
After retirement and moving back to Japan, in 2020 I had gotten really inspired by Mattias IA Eklundh and had started adding more vocals ABOUT STUFF to my music, started down tuning my guitar/ bass, eventually bought a 7 string guitar and even upgraded REAPER.
But my regular creative output at the time was the JUST THINKING... strip I was doing:
Random thoughts during the COVID years, where I came up with a fast to do format using VECTOR characters and text on photos I take around where I live. Mostly in Black & White. It was actually a really interesting time for me growing into my new studio.
I only really started watching YouTube from 2020.
I started making under 60 second music videos and posting them in 2021.
I was using ANIME STUDIO in earnest to make the visuals, a book+CD I had bought many years ago but done little with. It did real animation, which I did learn and made a few things with, but found just moving stills around with a soundtrack was fast and simple to do and become my main tool to put moving images to my original music.
I found that my YouTube SHORTS got more views than the Bandcamp music only version. Only double digits, but promotion has never been anything I spent much time on as a retired grandfather doing this as a hobby. One of a few hobbies I have. But I also felt most YouTube SHORTs I ever see are just time wasting garbage.
I moved to the later version of ANIME STUDIO that had been renamed MOHO.
From 2021 till end of 2025 I mostly made what I call MUSIC + COMICS. Instrumental music with a few comic panels and speech bubbles about something. Like this SPEED IN MANGA:
For most of that time SHORTS had to be under 60 seconds, and that was fine by me. Then they had to be under 3 minutes. I used to just post these whenever I finished one, sometime 2 or 3 a week, not considering that few would see them unless they were posted in a "peak viewing time".
I started on my MUSIC + COMICS + VOCALS songs around MAY 2026. In recent months I released one weekly, on a Saturday morning Japan time. A peak time. Gave me a weekly project with a deadline, but also slowed down the way I was working. Was getting enough views, especially as I also uploaded the files to X and Facebook.
And in the last few weeks, after another announced YouTube change I haven't followed the details of, even though X and Facebook still get the same numbers for views consistently, YouTube SHORTS views fall to single digits for some of my videos.
Inscrutable YouTube algorithm change is the only conclusion to draw. Reddit has others reporting the same thing. Thus this weeks talking head SHORT.
Wonderful, but it is time to pivot again... not bothering with YouTube and their Automated Idiocy. Their system appears to show my stuff to under 25 Americans and Indians, so no wonder they don't find it pushing their buttons.
UPDATE: Sat 1:25PM after 5.5 hours THE MYSTERY has 104 views.
And my YouTube is now all, improving your creator talking to camera YouTube Video videos. ๐ซ
Other Things
Been getting on with the important things in life with our daughter back in Japan for first time in 18 months.
So looked back at music I make 12+ months ago and really like this pic JBASS sound.
Get bored that everything starts sounding the same, so going back to DRUMS AGAINST HUMANITY and the Jazz Bass makes things more fun.
Working/ thinking about/ considering what I will do this second week of September 2026.
I don't have to do anything other than taking the garbage out, cooking, washing the dishes and drying/ putting them away. Also do whatever the cat wants. The general living stuff.
Anything creative is optional and for my own entertainment, but with a Typhoon on the way and lots of rain, working on "something" in the studio is the thing to do.
Joshua Heath Scott doesn't just design and build guitar pedals. This being a particular interesting think piece.
THE GRAND TOUR is being very entertaining. The Kei car episode had me laughing as much as the original Topgear's "Crap Supercars" and "Making boats out of Cars" did. Francis is a mix of Clarkson & May and so far the most endearing of the new hosts, in spite of the stilted way he talks much of the time.
Unprecedented Rain and Flooding in Japan the in last weeks. Motorists in Chiba drowned in underpasses. Nagoya had the highest rainfall since records started in 1890 in the last week. Media hasn't mentioned "climate change" at all, even though everyone else says it.
Fake Kyoto FM Number 12. Using instrumental versions of our tracks with added Korg Monotron effects.
The back ground rotating under the orange circle was generated on this BOOK OF SHAPES website.
Other Things
Been reading this Tangerine Dream book and listening to the over 15 albums we have of them, mostly from the VIRGIN YEARS. I think my favorites are STRATOSFEAR, TANGRAM & HYPERBOREA.
I have put Cinnamon Road in all the playlists I regularly use.
Each track has a description "bird like tweets" from a VCS3 then a series of chords... It isn't described in musician terms though, the way someone like Rick Beato would. Hadn't seen this before.
Lots of history and interviews in one place over the years covered. Also with an essay around "did they loose their significance when it became easy for anyone to make sequenced digital synth music?".
Like the book, but need to think about the Amazon review to write.
Tangerine Dream fandom is split between ZIET "no melodies, just textures" and later short "melodies/ techno/ synthpop" and the progression from one to the other. I prefer melody myself. Only just playing Le Parc now, one of their fans least liked albums, but I must say I think it is fine.
He mentions other artists and albums from the same era too that I have never heard. Klaus Shulze was an early Tangerine Dream member, and went on to be a solo artist. I am only now giving his X, Dig It and Moondance albums a listen. Moondance is his most Berlin School like.
Finished Season 1 of Star Trek Discovery. It wasn't easy. I think this is the only trek that I haven't loved the opening music and graphics of. I skipped to the final ship flyby and the tiny bit of original theme music. The graphics and music in the opening was a complete nothing to me. It was just all wrong for something supposed to be 10 years before the original series.
The Grand Tour with new young guys is doing the PR introducing them and about to start. A repeat of what Topgear did. In Australia we had 3 Australian hosts for the local Topgear. It was fine. As was the American Topgear they also showed. Didn't reach the level of the original though, but that is probably just the way it goes.
Expect the new The Grand Tour will be fine too. It is just a TV show.
Mend It Mark's latest is a RAID encloser. He fixes it without any schematics or service information.
Incredibly well done. Having had to repair stuff as a job at various times I applaud his skill. Even with all the support information and schematics it can be very hard to fix stuff.
But did the part fail due to age or a design fault in its application, I wonder?
I once worked as an OLIVETTI component level repair technician ~ 1979~80 for their computer gear that filled the Commonwealth Banks in Australia at the time. The ALI-500 power supply was used in their terminals and this discrete component switch mode power supply caused issues. Even once something was repaired, there was a feedback 1/4 watt resistor that on some not small percentage of the units would get so hot, the solder would melt and it would fall out of the PCB. Caused the unit to fail. I could never see why. A few years later after graduating from University and getting on with my engineering career I learnt that the fix for that the local tech made was to just change it from a 1/4 watt to 5W part! The resistor was under rated for the variations in the units. A design problem with the rating of the original part, and real component variations hadn't been seen by the Italian designers or just hadn't checked.
Daughter now staying with us for awhile, even though working from home here much of the time. Catching up as she hadn't visited for 18 months.
Being retired, being alone in the studio ( with just a cat ) making something is what I LOVE to do. Drawing, cartooning, model making, sculpting, painting, producing music and animations are the kind of thing we do most recently.
To me, making my music is a studio activity, not done live, in exactly the same way I cartoon. Not a "live onstage" activity, even if Urasawa Naoki does it during his concerts.
Lyrics:
In the studio No one around, unwatched, Freedom is found.
With art the anchor, The work - The drive, The piece - the goal Keeping a vision alive.
No critics guide the hand, Just shadows on the floor Wrestling with a spark. As dreams light up the dark.
Ideas fill the room, Answers stay at bay. Each stroke A journey from a thought.
Have put The Studio on our Bandcamp as a 2 track release with the song and the original longer instrumental. I may prefer the Instrumental myself.
So have done 14 songs in the last months, and feel I have now run out of ideas. The last few have gotten harder to be satisfied with my lyrics and singing. Has it been singing? Not sure.
Other Things
Was rather knocked out by last weeks INTERNET-ing getting only 2 views by someone that wasn't me.
The Remix 11 from the week before getting 400, then the ECONOMICS before that getting only single digits seemed all very strange. All released same time on Saturday mornings.
This seemed more than just the Internet Creator Random Rewards Algorithm and I wondered if there are subjects that the YOUTUBE AI throttles back, or something else with recent changes for creators. It seems there are subjects that get reduced exposure by the algorithm, but think in the main cases here, the animation got labelled by the AI as "kids" and throttled back for that reason. Or maybe even AI, even though there is tones of AI stuff collecting huge view numbers about. YouTube had gotten in trouble in the past and why all that stuff about "for kids?" or not, but the algorithm checking stuff is AI and of course wacko
Redoing the visuals would test that, but not something I care to do at the moment.
UPDATE: The Studio above after 3 hours is doing very poorly too. Nothing like the views these have gotten just posting original video on Facebook and X. After 3 days, has 29 views. Way down on the 600+ for my short from a few weeks ago.
Meta has been fined $18B as their site is harmful to children. So maybe a YouTube reaction to that. Social Media and the focus on ENGAGEMENT is harmful to everyone...
Our old music technology loving Scotsman in Los Angeles, Cris, has renovated a Fairlight Instruments CMI Series III and recently finished a FAIRLIGHT recorder/mixing Console. They are all multi part follow along videos on his YouTube channel.
Just so different from my own approach. I was involved in designing and developing the CMI Series III and have NO interest in having one now. Happy with Reaper on a PC with synths and guitars!
Facebook reminded me that 4 years ago I was far into my HEAVY METAL GARAGE comic book development. I had really forgotten all about it.
I had gotten a decent set of ellipse templates to do this too. You probably haven't seen, but a big set of Ellipse Templates are REALLY expensive.
Many hundreds of dollars that I could never justify, but picked up a useable set for 4,000yen on Mercari.
Also a set of ships curves. These were things I would have liked to have for decades, but just couldn't justify the expense.
But it made me think I should get back to doing another comic book. Get some more use out of those Ship Curve, Ellipse Templates and try and write some more jokes.
Tangerine Dream: 1967-1985 The Pioneering Years saw a post about it on Facebook, and have ordered my own copy. Stephen Palmer has a blog too.
I have some 14 Tangerine Dream CDs ( and some recent Concert Downloads from the current bands Bandcamp) and still have old magazines about them. But it isn't that I play there stuff all the time, I just come back to it a lot.
I just love the sound of a ratcheting sequencer riff in the morning...
Our adult daughter from Sydney will be staying with us for a few weeks, and I expect I may not get around to any of this blog and related music stuff during her stay...
