Saturday, July 25, 2026

Monsters Of Pain: SHINGLES

 


The childhood "Chicken Pox" virus you had as a kid, lays dormant, and can/will strike painfully
as a run down elderly person. Shingles always seemed a strange harmless name for it to me.

I had Shingles 10 years ago, wife has it now and 3+ weeks into the pain. She didn't start the within the 72 hours treatment  window as she thought the internet told her she had some thing related to a shoulder issue she has.  So PAIN has been a big thing for me in the last weeks, even though not my own pain this time.

I had KIDNEY STONES about 10 years ago too, and that is incredibly painful, but after an ambulance ride to ER and getting Morphine everything is right with the world in short order.  Other drug opens up the water works and it flushed it out easily.  Went home next morning. But that was in Sydney, and don't know about what happens in Kyoto here these days. 

But the real pain I had to endure was after an extensive Hemorrhoidectomy 9 years ago. The first 4 weeks were agony, but I wasn't approaching normal again till after 10 months. Back to normal was after 12 months. The Surgeon had said pain should last no more than 2 weeks, so I was in no way prepared. But the reason I came down with Shingles was because I lost a liter of blood one week and almost passed out once. That was the driver for getting my issue fixed. 

People with some kinds of terminal cancer, have constant extreme pain. Read some don't think giving them Morphine is "right", but have to say that ignores how terrible extreme pain is and giving them Morphine IS the right thing to do to make their end more pleasant.   

Guitars using the NEURAL DSP MODELLER vst for AWSEOME METAL tones. Even if the song isn't METAL.

The animation is reusing something I did from first learning MOHO V12 animation bones on single images, but effective enough for a SHORT and the popcorn brained. 

Lyrics:

Monsters of pain,
A weight on your soul,
Sandcastles crumble
As you lose control.

Pain is a monster,
It tears at your skin.
But standing united,
We're going to win

The tides are rising,
The shore disappears,
Drowning the secrets
And fueling your fears.

Again, not a traditional song [Verse/Chorus repeat] structure, but [Verse/Musical bit repeat]. Why would I want to do what every one else is doing?  The music industry/ record industry is irrelevant to me. 

Worked out to record DI guitar for Neural DSP Modeler, I need zero latency monitoring of a distorted guitar tone. So my signal chain is guitar to Mackie 402VLZ4 and the output of that goes into the Rubix22 inputs. The TAPE OUT of the mixer then goes into a LINE6 distortion pedal and into my ORANGE micro amp, to a 10" cabinet have under the desk.   REAPER is set to AUTO on the GUITAR TRACKS so it doesn't output the recorded signal during recording. 

So I play back the backing through my monitors, while I play the guitar and listen to my ORANGE guitar amp. ZERO latency. 


Other Things

YouTube has been showing me many guitar related channels again. Phil McKnight is one that has had some really interesting stuff to me over recent years.

Like he made 2 of the same guitars, but put a True Temperament neck on one and spent 6 months playing them to work out if it really was better.  His first problem was it took 6 months to get a True Temperament neck after he ordered it for $1,000, and that really shocked him, being an American.  His journey was interesting as he knew others didn't like the better tuning as it made guitar "sound like a piano".  But over his 6 months of using both guitars, for the first 3 months he preferred the sound of the traditional frets, but in the end found the True Temperament was "better".   It is subtle though.  

Made me realize True Temperament definitely isn't a must have for me.  

He also has a lot of videos about "are expensive guitars worth it or not?".  The thing with over $1,000 guitars is that they don't play better and the attraction is other things like the beauty or recapturing something from your youth (if you were really into guitars then). 

In this one from a couple of months ago he discovered GUITAR Marketing for young people is all about expensive custom shop and boutique guitars. All FOMO based.  For old guys, the opposite!


I have seen the same thing here, where Osaka Sound Messe is all about expensive boutique guitars, and that this is some how normal. NOT spending $4000 means your not even in the game. The kind of X advert for guitars: 


Japan is kind of a different case, where keeping up appearances is important. Really Important. iPhone market share is 60%+ in Japan and 20%+ rest of the world, as it really is expensive, and THE thing to have. The clothes people wear, accessories and your company title changes how people relate to you.  

There is a TAMAHOMES housing area not far from here, where all the "reasonably affordable" smallish homes are all variations on the same 8 or so components. I think Australia should have something like that. But some of the places still have EXPENSIVE cars like BMW and MERCEDES BENZ parked out front, which to my non-Japanese way of thinking is just really wrong money priorities. 

In another of Phil's videos where he talks about expensive guitars he says there are many that just don't care about expensive (over $800~$1000) guitars and I am one of them. ๐Ÿ˜Š

Another thing I have come to realize over the last few years is that I aren't a guitar guy,  and only care about the recorded sound of a finished piece of music I do in my studio. Synthesizers are even cooler, and the studio/DAW, and having my own RADIOPHONIC WORKSHOP is what I am about.  Don't care about bespoke guitars and the culture around that.  

I was involved with developments of the Fairlight Instruments CMI series II & III in the 1980s, but I never had or used one, and really don't care about the new CPU System on a card Freshwater Instruments has done. Lots of CMI fans do though.  To me a CMI is so limited compared to what anyone can do with the REAPER DAW and simple gear now.  But I think the fans are Synth People/ Collectors the same way the Bespoke Guitar buyers are. It isn't about them using whatever to make music, even if they do that sometimes. 

Came across Kenny Gray Comedy+Music and love it. He has videos on Instagram, but I just love his GARY NUMAN-ISH INDOORBOY

 


I wish I had written that song.

Was expecting to go to THE GHOST IN THE SHELL exhibit in Hyogo this week, but it is extreme hot here 


and info from the site says it is expected to be extremely crowded and you need a ticket with a time to enter.  That is not any fun, and with my wife in the condition she is have put off going. I may get there before it closes August 30th, but maybe not.  

Much on display is in the MAKING OF books I have had for decades, and it was the original manga work of Masamune Shirow I saw last year that was the real must see to me

X has always had a massive problem with bots/ farms.  I get so tired of the engagement farming and even good guys can post way to much.  Keeping up isn't worth the trouble, but luckily I don't have notifications on for any social media, don't use the Apps at all, so it can silently all go past without bothering me. 


We can be found at ArtAndTechnology  KYOTO JAPAN

Saturday, July 18, 2026

I'm Not A Rockstar: Cancer takes another...

 


A bit faster at 145BPM than recent tracks. 

Guitar, synths, techno drums and the synth noises/ sweeps are a KORG MONOTRON

Something of a reaction to being a care-er in recent weeks, and for many, the fashion and look aspect of being a musician are so important, and aren't anymore when I am a grandfather in my late 60s. 

The Sennheiser e945, in a small desk stand with mesh pop filter has simplified my singing setup/tear down in our tiny studio and I seem to be able to hear myself better now.  Putting vocals on something is so much easier now.  Coming up with Lyrics isn't something I spend any time doing.

Much of Marty Friedman's book Dreaming Japanese I read last year seems to be fussing about his hair, being short and fashion. He was a rockstar. My own hair was so important to me in the last years of High School, but not in the 50 years since.


Lyrics:


I'm not a rock star, 
no fancy shoes 
no fashion sense
No fancy hair
An ordinary guy, 

I'm not a rock star, 
a  family man, 
a steady guy.
no fancy shirts
no make up
Just An ordinary guy, 

I'm not a rock star.
no flashing lights,
no big guitar,
a quiet life
just an ordinary guy,


I'm not a rock star.
no stadiums,
no screaming crowds,
no limousines
Just a quiet life,


On Bandcamp.


I put it on Bandcamp  and posted to X and Bluesky about it a week before releasing the Music+Comic. But my followers have zero interest in any music I put there.  It is just my own vanity publishing project.  Okay with that as I have already had my own 15 minutes of fame in another field over 20 years ago.

Will I do another new song this week? Don't know. I seem to be out of inspiration, or maybe the domestic things occupying my time make it unnecessary .  


Other Things


The kitchen in our now 7 year old new house in Japan used to be my wife's domain. Took me years to be able to make anything there, but I have been preparing meals the last week+.  Caring for others makes you feel good, and being able to look after myself when I need to is back at the level it was when I lived in Australia.


Australian political cartoonist Pat Oliphant, who made it in the USA, has passed away, aged 90 this week. There is a  glorious film on him I need to track down. The Trailer:


2 cartoons he came out of retirement to do:




Oliphant  favoring neither liberals nor conservatives.  'We Are in a Forest Fire of Ignorance'


8 years ago during down sizing I ended up throwing away about half of my once cherished Cinfex collection. Issues 74 to 119. I kept 85 the 2001 issue


But the once great magazine of cinema special effects had lost anything of interest to me way before then. They went out of business during COVID. I wasn't the only one that cancelled their subscription.

Once the industry changed to hiring a bunch of disposable CG animators and their workstations, there was little of interest to me in an article saying "we used XXX software" and "YYY wrote a cool shader to do ZZZ".

I changed too. Narrowing my interests to what I can actually be involved with in some way, or be useful to me in my own creative adventures in retirement.

Facebook is a very different thing now compared to when I first joined. At first it showed you stuff people you knew posted, even if it was an outside link. Now it rarely shows anything people you know post, and for me it is all about the groups I am in.  Only 3 or 4 I know post anything at all now.

I don't post actual personal stuff there any more. Just my MUSIC+COMICS.  It is the place people I know DM me. 


The English Musician Composer, Hans Zimmer, Peter Gabriel collaborator, once Fairlight Instruments CMI III demonstrator/support person Rodger Bolten has passed away, I learnt 2026/7/17.  Just a couple of years younger than myself. I never met him in person, as I left Fairlight Instruments the time he joined. He had been posting about his hospital visits and treatments the last 2 years or so, and stopping the treatment for his cancer a few months ago.  He had it rough recently, collapsing in his apartment and the fire brigade rescuing him. Waking to huge weeping swellings on both knees, a side effect of a chemotherapy drug administered 2 years ago and now banned. A long list of rather terrible things, but he always appreciated the hospital and staff treating him.


He was the first person ever some 2 years ago to video call me out of the blue.  We talked about old CMI III things, such as the System Floppy Disk I made for the first system to get to the UK.  RIP

 

Enshit-tification by Cory Doctorow, interestingly explains what UBER and TIK-TOK did, but not that  YouTube is doing the same thing. Manipulating the metrics to exploit creators and users.


My blog and song of a couple of weeks ago, BAIT AND SWITCH SUPPREME was all about that too. I dislike intensely that a smart phone is now required to even allow many online accounts for 2FA, and a phone has a built in end of life with non replaceable battery and software made obsolete for pure profit motives.  We are all just cattle to the tech industry.


We can be found at ArtAndTechnology  KYOTO JAPAN

Saturday, July 11, 2026

Who Are You & What Do You Want?

 


Who Are You when the titles and status are no longer in play?

An important life question to know the answer of.  Some men have a big problem retiring and not having their position anymore.  There is a common story that "many" Japanese Men follow there wives around like wet leaves stuck to their wives shoes after they retired. Don't be that old man!

Also what Mr.Morden asked all the ambassadors in Babylon 5. 

Another of my amateur Heavy Metal/ Techno/ Pop/ Nursery Rhythm/ MUSIC+COMICS . It isn't a generic verse/chorus structure but rather 8 bar alternating musical bit and verse with 2 longer musical bits.


They don't have a repeating chorus either.  Just what I am doing at the moment and no set in stone rule I have set my self.

Jut straight ahead 4/4. I have tried to get into Prog Metal, but the stop start nature of it isn't what I need.  May be amazing technique, but that isn't attractive to me. 

I seen advice to record the vocals 10 times and comp together the best bits to make the perfect take. I don't go to that much trouble. 2 or 3 takes and just keep the best one for each verse. I will listen to the completed track a 1,000 times and may decide, like this time,  some words could be better, then record those verses again, 2 or 3 takes. I am the only one to play a track more than once so it really doesn't matter in my case. I am not some guy trying to go PRO and make a career out of music.

The rhythm guitar is this 8 string going through the DONNER 10 Band EQ (to cut lowest 2 bands)  into the POD EXPRESS BLACK Anvil+CAB. 



The melodic guitar is my Ibanez RG350. The drums and synths are very Dubstep/ Techno and I like that. The bass sequence is almost just a pedal tone, but it does drive it along.



Simple hummable riffs and melodies are all I am after.  This one kind of reminds me of the vocal sound of THE EAGLES (rather than Tull's Ian Anderson of a previous one), even if I am not a fan of them, but due to the tone and register of my voice and the multitracking. 




The Demon is a Copic marker on paper sketch I did a few years ago. One of 2 demons in an old Japanese illustration I have in a book somewhere. 

In MOHO V12 pro I assigned BONES to it and manipulate those to warp the illustration a bit to make it move a little.  


Lyrics:

Who are you,
and what do you want? 
The truth will set you free.

When titles and status 
are no longer in play.
Who do you see
at the end of the day?
 
Sift  through the pieces 
 find what lacks.
Tear the shadows 
Bring light back.

So drop all the armor 
and step from the dark,
See the version of you 
that you really are.

ใ‚ใชใŸใฏ่ชฐใชใฎใ‹ 
 ใใ—ใฆไฝ•ใ‚’ๆœ›ใ‚“ใงใ„ใ‚‹ใฎใ‹? 
็œŸๅฎŸใฏใ‚ใชใŸใ‚’่‡ช็”ฑใซใ™ใ‚‹。

่‚ฉๆ›ธใใ‚„ๅœฐไฝใŒ 
ใ‚‚ใฏใ‚„ๆ„ๅ‘ณใ‚’ใชใ•ใชใใชใฃใŸใจใ。
ไธ€ๆ—ฅใฎ็ต‚ใ‚ใ‚Šใซ、
ใ‚ใชใŸใฏ่ชฐใ‚’่ฆ‹ใฆใ„ใ‚‹ใฎใ‹?
 
ๆ–ญ็‰‡ใ‚’ไธ€ใคใฒใจใค
่ฆ‹ๆฅตใ‚、ๆฌ ใ‘ใฆใ„ใ‚‹ใ‚‚ใฎใ‚’่ฆ‹ใคใ‘ๅ‡บใ›。
ๅฝฑใ‚’ๅผ•ใ่ฃ‚ใ、
ๅ…‰ใ‚’ๅ–ใ‚Šๆˆปใ›。

ใ ใ‹ใ‚‰、ใ™ในใฆใฎ้Žงใ‚’่„ฑใŽๆจใฆ、
้—‡ใ‹ใ‚‰่ธใฟๅ‡บใ›。
ใใ—ใฆ、
ๆœฌๅฝ“ใฎ่‡ชๅˆ†ใ‚’่ฆ‹ใ‚ˆ。


EDIT: 2026/07/22 Next day has had around 600 views (then it is just turned off on the SHORT feed, completely artificial numbers), but most only watch the first 9 seconds, which is even before when the drums come in!  The POPCORN BRAINED

The FB stats same deal. Turn tap on/ turn tap off after a fixed number.


 Enshittification and dumbing down run unabated. 


Other Things


Second time to replace closed back KRK KNS8400 headphones rotting earpads. An earpad and headrest set from Amazon.  Much prefer open headphones BUT recording vocals need closed back, and these isolate really well.


The realities of getting older with a sick spouse were our lot for the last weeks. Nothing serious, but trying. Luckily I didn't have to go anywhere at all. Preparing meals and the clean up after.  I had ๅธฏ็Šถ็–ฑ็–น too about 10 years ago. 

Met up with youngest son for morning after putting it off due to heavy rainy season rain for the last 2 weeks.  He gave me this late FATHERDAYS gift.


An AKIRA + EVANGELION mashup piece. Very cool.

And the rainy season is now officially over so the humidity and temperature skyrocket.

Kyoto Live House GATTACA July 17 - Anima Tempo JAPAN TOUR 2026


7ๆœˆ14ๆ—ฅ(็ซ) ไบฌ้ƒฝ GATTACA  

้–‹ๅ ด 17:30 / ้–‹ๆผ” 18:00

ๅ‰ๅฃฒ ¥3,400 / ๅฝ“ๆ—ฅ ¥3,900 / ๅญฆๅ‰ฒ ¥2,400 (+1Drink)

Anima Tempo is a Mexican Prog Metal Band I hadn't heard of. 5 bands in one night sounds like it finishes late.  Has Rikugo in the line up at a place I haven't been to before, but isn't far from here. But can I go? 

Would like to see them again. They supported Freak Kitchen last year, and the first time I saw them.



We can be found at ArtAndTechnology  KYOTO JAPAN

Saturday, July 4, 2026

Psychedelusion AI

 


Psychedelic Delusion:  the scientific and philosophical debate surrounding whether profound, life-altering insights from some drugs are genuinely revelatory, or merely delusions from temporarily brain disfunction.

Psychedelusion: A similar thing applied to AI. Life-altering insights and mystical experiences from AI THAT ARE completely delusional!

Psychedelusion a term I made up yesterday. ๐Ÿ˜ƒ

Lyrics below are just supposed to be Psychedelic.  Vague and just all out of your mind words of a experience rather than dig into the meaning of the title. It is more fun that way, and what I need at the moment. 

Lyrics: 

Ooohh the right thing 
Melts right through the floor 
Spinning like a neon sign 
On a locked up door 
 
The colors start to breathe 
The walls begin to bend 
We’re walking backwards to the start 
To find the heavy end

The static turns to sound 
The shadows learn to speak 
We’re climbing down the mountain top 
To find the lowest peak


This just came out of playing with the Mackie 402VLZ4 Roland Rubix22 Reaper DAW set up re-installed during the week. Allows ZERO LATENCY input monitoring. 64 sample buffer gives 3.4ms latency. Will use this for awhile. They used to say a change is as good as a holiday.

Expected the bright colorful animation will make it more popular than the pencil Greek philosophers of last week music+comic.

See so many on social media and YouTube, "all about music". About the gear, or fashion, or some other non sound aspect, but actually making and releasing music itself isn't what they seem to do very often... cool solos though...  


Other Things


Lots of rain during the week. The Rainy Season hasn't let up much.

The year is half over and that speed just gets faster and faster as you age. 

Killswitch Engage, melodic metalcore, is new to me and have been listening to some 6 tracks with great riffs on repeat the last few days.  The guitarist uses a fixed bridge, rather simple down tuned 6 string guitar.  180BPM and lots of pick slides in his technique. Too fast for old me. His current Caparison TAT Special FX "Metal Machine" Guitar is at that 400,000yen price of the boutique/ collector stuff in Japan.  

Been thinking about a 10 band EQ pedal for the 8 string for awhile, as my BOSS EQ-7 doesn't  have the required low bands, and testing with a 10 band EQ vst before Neural Dsp Modeler shows that tightens up the low end sound a lot.

Looked at that MXR pedal, but this Donner seems more appropriate for my low end home studio use to go in front of the POD EXPRESS BLACK.  Those sliders would be so fragile for stage use, but that isn't how I use it.   
All I really need are the 31.25 and 62.5 Hz bands and in a previous life I would have made something myself, probably just a variable High Pass Filter, but I aren't that person anymore, and just couldn't be bothered.  


In 1938 psychologist B.F. Skinner, using the "Skinner box" to dispense food to rats and pigeons when a button pressed discovered "Variable Ratio Reinforcement Schedule" is extremely addictive. SM is now built around it  for both users and creatives. The whole reason a posts or video will generate completely different view numbers. We are all rats in a Skinner Box to YouTube, X, Facebook etc. Constant Bait & Switch, as the Algorithms Spin


Just because you understand what is happening doesn't mean you can control yourself on Social Media 

Powerful stuff. 

Dopamine is produced when you are expecting something feel-good.   Not on the actual receiving of the feel-good thing. So dopamine sky rockets on looking on your feed expecting to find something good.  When you don't, you try 10 minutes later, again... 

A related piece from him is related to this in that the powerful and wealthy loose empathy. This now is a scientific fact. And they are the ones controlling the country. Maybe the reason America and the UK have become dystopias. Despite NASA and other super cool really attractive American things. It isn't just the current administrations but a wealth imbalance system.  


See yesterday actor/body builder that was in Mad Max 2 died yesterday at 76 after a long painful illness. See a lot of things like that and comments from the other retired.  One of the early 60s retired in America is in a group of retirees where they share what is going on mentally and physically.  The GO/ SLOW GO/ NO GO years came from him. He mentioned a few in their late 60s died recently. They don't just die of one thing though. There is a cascade of health issues in the last year(s). I think about that  and see it in people I know.  

You just don't know how long anyone has.

Another thing that comes up amongst the retired introverts is they don't want to deal with others. Being alone with your own thoughts and interests is the best.  I very much feel that way too. The ones that suffer from loneliness are the extroverts, not everyone.  This seems common knowledge now.


Who are you? is a question I answered years ago even before retiring.


Joe mentions it in his latest video here too.  Many men, apparently, are lost after they leave their "position of title and authority" where ever they worked. They don't know who they are without that. And the reality is that is never who they were, but what a job they had was.  

The only 2 things I will comment on in his 12 here are WORK STRESS and WHO YOU ARE.  

Loosing the stress was such a huge thing for me when I retired. Life changing to not be responsible for solving big problems not of my own creating.  So much happier without that,

Musical Cartoonist is what I think of myself now, despite being involved with high tech electronics & software/firmware design and development for much of my career.  It doesn't have the status, but no one cares about you, other than your wife and kids, after you retire anyway. You are just one of those old guys...

Updated my EP- The Songs to have 8 songs and a 12 page PDF booklet now. 


We can be found at ArtAndTechnology  KYOTO JAPAN

Saturday, June 27, 2026

Cosmic Dance: The Big Bounce

 


A Cosmologically Bouncy Techno Guitar Pop track...

THE BIG BOUNCE is one of the Cosmology theories on the Universe.  That after the BIG BANG, and expanding universe, there comes a time, some 30 billion years later, when it all collapses and the process starts again with another BIG BANG.  Hence THE BIG BOUNCE.

Interestingly this "matches" the Hindu Nasadiya Sukta ( 1500 BCE ~1000 BCE). The Creation Myth. Even the billions of years time frame.  The Cosmic Dance of Shiva is briefly shown. 

As an individual, the UNIVERSE, what it is and how it happened is on time scales so vast it is irrelevant to our insignificant lives.  Still really interesting though.

Carl Sagan talked about all this in episode 10 of his 1980 TV series COSMOS.  46 years later we are no closer to knowing the real answer.  It is something for our descendants to discover, hopefully within the next 5 billion years before our Sun dies and burns our whole solar system to dust.  Expect in a few billion years our descendants will look very little like humanity does now.

The lyrics of this touch on, the Creation Theories and the Hindu Nasadiya Sukta.

Lyrics  THE BIG BOUNCE 

Before the breath of time was drawn, 
Before the twilight or the dawn, 
Did it spring from golden seed, 
Or a silent, dreaming need? 

ๆ™‚ใฎๆฏๅนใŒๅนใ่พผใพใ‚Œใ‚‹ๅ‰ใ‹ใ‚‰、
้ป„ๆ˜ใ‚‚ๅคœๆ˜Žใ‘ใ‚‚่จชใ‚Œใ‚‹ๅ‰ใ‹ใ‚‰、
ใใ‚Œใฏ้ป„้‡‘ใฎ็จฎใ‹ใ‚‰่Šฝ็”ŸใˆใŸใฎใ‹、
ใใ‚Œใจใ‚‚、้™ใ‹ใงๅคข่ฆ‹ใ‚‹ใ‚ˆใ†ใช
ๆธ‡ๆœ›ใ‹ใ‚‰็”Ÿใพใ‚ŒใŸใฎใ‹?

Who can say what sages saw, 
Of the churning, cosmic law? 
Was it woven from the dark, 
Or ignited by a spark? 

่ณข่€…ใŸใกใŒไฝ•ใ‚’่ฆ‹ใŸใฎใ‹、
ๆธฆๅทปใๅฎ‡ๅฎ™ใฎๆณ•ๅ‰‡ใซใคใ„ใฆ、
่ชฐใŒ่ชžใ‚Œใ‚ˆใ†ใ‹?
ใใ‚Œใฏ้—‡ใ‹ใ‚‰็ดกใŽๅ‡บใ•ใ‚ŒใŸใฎใ‹、
ใใ‚Œใจใ‚‚ไธ€็ญ‹ใฎ็ซ่Šฑใซใ‚ˆใฃใฆ
็‚น็ซใ•ใ‚ŒใŸใฎใ‹?

Even gods arrived too late, 
To behold the opening gate— 
So who knows if it will burn, 
Or in cycles, just return?

็ฅžใ€…ใงใ•ใˆใ‚‚、้–€ใŒ้–‹ใใฎใ‚’
็›ฎๆ’ƒใ™ใ‚‹ใซใฏ้…ใ™ใŽใŸ――
ใ ใ‹ใ‚‰、ใใ‚ŒใŒ็‡ƒใˆๅฐฝใใ‚‹ใฎใ‹、
ใใ‚Œใจใ‚‚ๅพช็’ฐใ‚’็นฐใ‚Š่ฟ”ใ—ใฆ、
ใŸใ ๆˆปใฃใฆใใ‚‹ใฎใ‹、่ชฐใซใ‚‚
ใ‚ใ‹ใ‚‰ใชใ„。

Through the dark energy's pull, 
Will the vacuum stay full? 
Or a Big Rip ahead, 
Tearing space until it's dead?

ใƒ€ใƒผใ‚ฏใ‚จใƒใƒซใ‚ฎใƒผใฎๅผ•ๅŠ›ใซใ‚ˆใฃใฆ、
็œŸ็ฉบใฏๆบ€ใŸใ•ใ‚ŒใŸใพใพใงใ„ใ‚‹ใฎ
ใ ใ‚ใ†ใ‹?
ใใ‚Œใจใ‚‚、ใƒ“ใƒƒใ‚ฐ・ใƒชใƒƒใƒ—ใŒ
ๅพ…ใกๅ—ใ‘ใฆใŠใ‚Š、
็ฉบ้–“ใŒๆญปใซ่‡ณใ‚‹ใพใงๅผ•ใ่ฃ‚ใ‹ใ‚Œใฆ
ใ„ใใฎใ ใ‚ใ†ใ‹?


The drums are only a dubstep KICK and SNARE.   I based it on a much longer instrumental thing I did a year or so ago. The bass patterns are a VITAL synth patch. Made it to be just under 3 minutes to not be as repetitive. It isn't a usual song structure, but that is what I like to do. 

When doing vocal overdubs, the DAW latency becomes an issue. DIRECT MONITORING doesn't help when doing vocal multitracking. Have to turn off fancy reverb and limit backing to just what is needed to keep the rhythm and pitch right. Have found that when I do 3 tracks of vocals, aligning them in time manually becomes important to keep the words clear.

Track on our Bandcamp:
https://megacurve.bandcamp.com/album/ep-the-songs






Edit: 6/28/2026 the next day and even though it got over 250 views on Facebook, YouTube only managed 31 last I looked. 

Luckily, I do it just for my own entertainment...  


Other Things


Been much rain this week, so haven't gotten out much.  Did order the recent Moebius Library: The Depressed Hunter from Dark Horse.  Even though THE AIRTIGHT GARAGE isn't a great comic to read, the artwork is amazing.


Interesting John Carpenter Interview. 


Even as someone with successes, it doesn't last and he found some looked down on "horror", as a lesser genre.  
He was also flogging his coming album and comic book combo. 


Came across this video in the last week on why people buy expensive guitars.  The Osaka Sound Messe I have visited the last years is mostly boutique guitars and other gear like hand made pedals.   


I originally thought I would be interested in Mattia's FREAK GUITAR LAB ulv7 7 string. Till I saw the original price was 900,000yen and recently some 750,000yen. This is just luxury goods pricing, and that they are expensive and exclusive is what those buyers are after.  As someone that's most expensive guitar at todays prices, (and I paid 20,000yen less!) is only 60,000yen and I don't have the guitar love that many others seem to have, I ask myself how did I get involved with this scene?  

The answer I know was because of Mattias's clinics at SoundMesse.  That was for his technique and approach demonstrations.    

But I myself are more a Creator/ Inventor type  recently working on my original MUSIC+COMICS. It is the resulting song and animation that is what I am about. Not the collecting of rare limited edition gear. 

The thing is, on a recording, you can't hear the difference between an expensive and reasonably priced guitar. And it is the recorded sound that matters to me. I am not collecting art objects or status symbols, or performing live.   Seems performing live is a significant part of the guitar scene and I have zero interest in that. 

Anyway the why of buying expensive guitars is how it makes the guitar loving buyer feel. Recapturing their youth or the beauty of the guitars finish. The finish of a Custom Shop $7000 Fender for example, even though it looks exactly the same as the $500 model, makes it easier to play, even if it sounds the same when recorded. 
They are just all tools to me though, and I agree with Adam Savages approach to tool purchase. Buy the cheapest one, and if you actually use it and it eventually breaks or has a problem you can not fix with it, get a better one the next time. 

When I first started using REAPER, my audio interface consisted of a Behringer MC-100 and ASIO4ALL going into the motherboard audio of my PC. Used it for many years in fact. The specs were completely fine for metal guitar, synths and vocals stuff. 



When I bought a Win10 Laptop in preparation to move back to Japan, I also bought a Roland Rubix22 as a reasonable carry on solution.  Always found the Rubix inferior to my preamp plus ASIO4ALL approach though!  
Biggest issue was the Rubix didn't go well with all the standard Windows stuff, like Skype. Skype couldn't see the microphone. Don't know if that was because much of Roland were Apple fanboys when I was there or not, and so didn't care.
The preamps also don't have enough gain for a dynamic microphone (you have to be kidding me!)  and the level indicators are okay/ clipping only. Hate that! Looks like they copied a Scarlet 2i2 badly and got things wrong as they never used it.

The way Roland Japan always seemed to work was that if someone were an expert in something, that something isn't the job they would give you, so you wouldn't argue with management.  No idea what the place was like during the development period of the Rubix units though. 

On going to Windows 11 with a new PC, I didn't connect the Rubix, but used a MACKIE 402VLZ4, motherboard audio and ASIO4ALL again.  It works fine, but without having an extra DIRECT MONITORING box, I don't have zero latency instrument or vocal takes.

The top diagram is what I currently have
The bottom diagram is what I would need to add to be able to MIX between PC IN and OUT audio for  zero latency takes. Could be implemented as a stereo 2 input mixer, such as this unit on Amazon.



Then I see SSL has introduced a new low end audio interface, the SSL1. A cut down SSL2 MKII. 


The MIX button on this gives a 50/50 mix of direct inputs and output of the DAW to the headphones.  To adjust the level of the backing you are singing or playing to, you adjust your DAW output level.  What seems to be attractive about this unit though is the driver supports all kinds of windows driver ins and outs to make it very usable in all kinds of streaming and recording applications.  

My current setup doesn't allow REAPER and GUITAR PRO to make sound at the same time, but not sure if the SSL1 driver would allow that.   The driver for the Roland UA-1G did, but that isn't supported under Win11.

Edit: 6/30/2026 I looked at what I had and decided to try just using the Rubix22 just as a LINE-IN interface and ignore its not great preamps. So I have the Mackie mixer feeding into it, and instruments and microphone plug into the Mackie.


The Rubix22 is set for MONO DIRECT MONITOR, so the closed back headphones plug into it get the zero latency pre computer instruments sound, and the sound from the computer independently adjustable.  Seems pretty usable so far, and driver plays fairly with other apps, such as ZOOM I use a lapel microphone with. 


Edit: 6/28/2026 the next day.  Did this silly thing with 4 tracks of vocals and it was all fine to do with existing system with 3.4ms latency and no DIRECT MONITORING.



Buried it in reverb in this animation, but don' know if will use it for the start of something else yet...


We can be found at ArtAndTechnology  KYOTO JAPAN