Thursday, August 15, 2019

Our Road to Being a Comic Creator .. and the Future.

Our road to being a Comic Creator (Mangaka) has so far involved creating 5 different comics.  I have always done the cartooning and illustration, but adding the narrative to that is something relatively new and I have found very interesting. Have had some interesting email discussions with people I have "met" through these and this is some notes from those.

The comics have been:

Heavy Metal Garage - A car related strip with 50 so far.
Terraform  16 page SF color work.
Terraform - Earlier In the Steroid Belt... 5 page color
Terraform - The Sales Call 7 page black only manga style.
This is Where the Smoke Comes Out - 36 page Autobiographical/History of the last 60 years.

All can be accessed from our ArtandTechnology website.  All free.

They have all involve different ways of story telling, just to see how they go.

Heavy Metal Garage was done like a daily newspaper strip and is inspired by Non Sequitur by Wiley Miller.  It uses his format in fact. I am a fan. Apart from the car theme and style that changed a bit over the 50 strip run, each is an individual standalone thing. A single panel with a Narrative Caption, maybe a speech balloon and a single illustration.  This had scratchy rough pen work, that become less scratchy as it went on. Note that Miller's comic is always scratchy pen work.
Site logs show me these strips have been read some 300 times. Promotion the issue? You tell me.

Terraform came about after being inspired after reading all of  the French Valerian and Laureline.  This combines the authors take on politics with SF and was a real revelation to me, in the same way  reading Ghost In The Shell was.  This story is more like a future documentary, or the way Arthur C. Clarke, wrote.  Involves Climate Change too but more about a good use of Data mining and surveillance technology.
In the mid 1990s I was involved with Desktop Sc-Fi Production using models, puppets and animation and this work takes all that into a simpler comic format that I can actually do in a reasonable amount of time.


Terraform - Earlier In the Asteroid Belt.  A character piece with a robot having an existential crisis. This is more the way Issac Asimov wrote. It uses my robot puppet from the 1990s, with backgrounds drawn in Clip Studio Paint.  This is a really fast to do format and I think the way it came out is great. Only let down by my writing, but I have seen far more bad TV with worse endings!

Terraform - The Sales Call.  This has the style I would like to continue with. Using black only and manga tone is a way to do longer stories by a single person. This was done in Clip Studio Paint.  What this story is missing here though, is the introduction of the characters, especially Miki.  Without some feeling for who the characters are, it doesn't make much sense.   ALEC is introduced in the main Terraform story, but that too needs more depth.  This story  is following one of the many SHONEN MANGA formats that allow a story and characters to go on for a very long time. They don't have a 3 act play structure. I would also like it to be a bit educational, but we will see.

This is Where the Smoke Comes Out  - A Collection Of Memories  uses the format from Shigeru Mizuki's SHOWA, A History Of Japan.  That work is as much autobiographical as it is historical and I found the autobiographical sections the most interesting with the history sections providing a time frame of reference for the reader.  Mizuki had converted photographs to line drawings for the manga production process, but I have mostly used back and white photos. Early feedback I received on some draft pages said that gave a validity to the work that comic images wouldn't.


Now this is only 37 pages long, and not the 250 pages a proper graphic autobiography would need to be, so it is very brief.  It also only took about 2 weeks to do so it is more of a framework for a much larger work. It does cover one aspect of our story though so it is complete in that regard.  You will note each page is complete with a title, as if it was to be published 1 page at a time.  So far this last work has been the most positively received in that I have actually received comments about it, but that I have lived and worked in Australia and Japan in the Electronic Musical Instrument production Industry gives it an interesting hook for people already interested in that field in the first place.

Some quotes on this last have been:
I really like this
I really enjoyed your short comic
love your comic
This is really interesting
Fascinating stuff and great fun to read! 
Thoroughly enjoyed it
This is fascinating !!!
Awesome!!!!
Great read, thanks for sharing!
It's an incredible insight as to how technology develops

The advantage of doing webcomics, compared to any other type of "vanity publishing" is I have complete control and can monitor promotion vs accesses, and make changes at any time.

So now what?  

The autobiography/ history was done as an experiment and is very brief. There are  many stories I could add to it.  Seems to have had some 30 people read most of it in the 2 weeks since I posted it. If that had been hundreds of times more, then spending more time on it could be justified, but not at the moment. It has scratched the creative itch I had.

Am planning to continue with the Terraform - The Sales Call. style of work and have all the back stories in a art diary.  It all comes down to priorities....  paid commissions get priority.


Wednesday, August 7, 2019

Is Hi-Fi still a thing in 2019? No it isn't.

Over the last year I sold a lot of stuff that took up way too much space. I really didn't use it any more anyway.

Some of that was 2 Technics turntables, a SL-23 and D2, a Nakamichi 482Z 3 head cassette deck, near 150 vinyl albums and several sets of speakers.  Initially tried to sell it but there were no takers.

Had to pretty much give stuff away to get any interest at all. Did give away some stuff.

People will use their phone and listen on earbuds, and sometimes noise cancelling earphones on the bus.  The quality of that is actually pretty good, better than what was Hi-Fi 40 years ago, as long as your not actually on a bus.

So Hi-Fi really isn't a thing any more. Hi-Fi seems to mostly be a status thing in the way B&O always was.

Things like SONO aren't HiFi but having sound all over the house has more status, and really practical value,  than good sound.  Something about busy lives, and there is all that Streaming Netflix or FetchTV you can watch now that didn't exist when HiFi was big in the 1970s.

I never play a CD anymore, even though I buy them. I now use dBpoweramp and rip them to 320bps mp3. Play everything in the office from the computer. I use winamp to play them in the Office/Studio or I reduce them again to 144bps for use in the car or put on the phone. More likely than not I play any music at a really low level while I'm working on some illustration using small desktop speakers. 
I DO have a super HiFi  X1 audio player, but I use this mostly on international flights teamed with SONY noise cancelling airbuds.  Space and weight is always a problem with carry on.

That the vinyl section is now almost as big as the CD area in the few music stores doesn't make sense to me, but I'm also not one to use Spotify, so I am definitely not your current "marketed" music fan. I think the attraction of 12" vinyl albums is the artifact itself and has nothing to do with sound quality, in a market where 75% of people are only using Spotify for their music.

Times have changed...







Saturday, August 3, 2019

Digital Comic Book File Publishing Formats


We have now done some 36 pages in a comic autobiography This is Where The Smoke Comes out  and that is published online at that url on our website using a php based comic reader.


Our previous SF work is also available, Terraform

The only advantage of the server php approach is that I can track if anybody bothers to look at them. The downside is it is server side programming, not something most can do, and your not getting any money for it. As the web is filled by bots, most accesses are not actually people, and this can be checked in the site logs for a reality check.

The php comic reader displays the page .jpg file and tracks what pages your on, and allows web button randomly or backward and forward access. My version works on mobile devices as well as desktops and laptops.   You can have it if you ask.

I have also made .cbr (Comic Book Reader) and .mobi (Kindle/ComiXology) versions at various times and they work well too. Use CBR for most checking of the content as it is so fast and easy.

The .cbr file is just the sequentially numbered .jpg files zipped together, then renamed. Easy and efficient.  There are lots of free CBR readers available, but I use YACReader on windows and PerfectView on Android.  Works well to show each page with an easy interface. As long as the text is large enough, it works well on a phone screen. The app also starts up fast, which is much appreciated. Doesn't have any DRM to control copying for a commercial work though.

Our first book, Hot CAR-toons, Dudes, Dudettes & Stuff At the Heavy Metal Garage  was for the Kindle and I used the Sigil editor to create it. It was very much like hand coding a website.  But it does allow you to sell it, or try too, on Amazon.com. Has that DRM stuff too.

The Kindle Comix Creator is a much simpler tool that builds a comic for Kindle or ComiXology  and automatically adds the panel zoom feature that makes reading a comic easier on your phone if you turn it on. It outputs the .mobi and all you really have to do is import your numbered pages and it does the rest, with options to edit if required.

I don't know what it takes to have a book on ComiXology, or if it is possible for an independent publisher to do or not. My experience with Amazon is it is simple, but the reach they have doesn't necessarily help with your niche title, and their free promotion stuff isn't a good idea in practice.

On a phone, startup of the Kindle Reader is kind of slow, but it really depends how often your using that app anyway.

I could put the .cbr and .mobi versions of my last works on line as well but there doesn't seem any point. But if you want it I will give it to you.

WEBTOON is a Korean server base format that you can upload your work too, that looks interesting if you make work for this layout.  It displays a fixed size  panel to the reader one at a time.  Most comic and manga don't have fixed size panels, so having both styles requires work.  Publishing requires making an account and uploading the files.  I have read a few comics on it and seen the creator videos they have.  Not planning on putting anything on it at the moment though.

We can be contacted at Art & Technology.




Wednesday, July 3, 2019

Zen and the Art Of Random History Comic - Inspired by Mizuki's SHOWA

Thinking about another attempt at a comic, and this was the first step in scratching that itch. No super heroes. Inspired by Mizuki's SHOWA Manga which mixed recent Japanese history with his own activity of the time. I found it really interesting.. The alternative was to start a CARtoons car related comic, but I haven't found any of those stories as interesting as Miyaks work, and some bits about music production stuff and synths is what I spent much of my career working in. So this randomly starts in 1984 in Sydney.... but the first CD player went on sale in Japan in 1982 which introduced the world to 16 bit sound. That the Series III had 16 bit sound is significant. The Mac hit this year too, but it would take a bit to be musically significant. Was playing around with reference images, a grid of up to 3 x 4 panels and a long text I was writing, and put this page together to see the size of the font vs content and panels.... very little of the text I wrote fitted on this page. Actually haven't drawn anything here, but it is my intent to actually draw it all. A rapid prototyping approach to use a tech term for a dummy page. A lot of Mizuki's Showa has panels that are processed photos and that does work quite well. Clip Studio Paint has tools to do that too. He also has lots of simple cartoon characters that may be on such processed photos. That all helps to get something finished in a reasonable amount of time. This is more NON SEQUITUR than I was planning, but the font size and panel size, when using this NARRATIVE CAPTION style means I need to use less panels a page to do that... the reason I did this to see how it looked. The Narration takes up too much of each panel and that is way too much. The font is too small too to be printed at A5 for me.
After doing 5 pages in this style and showing it to a few people, the reaction I've received is that this is really interesting the way it is. The photos add proof or validity that would be taken away by line art of this true story. That is encouraging. I seem to have stumbled onto something interesting. It is a bit terse, but that would be elevated with more panels on each mentioned topic, but that might also change the energy it has.

Update: Jul 21 2019
Have made CBR and KindleComic versions, so have that process down.  Also changed the name. "Zen and the Art of Motorcycle Maintenance" was big when I read it and a book on philosophy, which isn't quite what this is, so a name based on a memory makes more sense. 





To see if I can actually generate any interest, or comment at all, I have made the first 20 pages a free webcomic and put it on our website at this link,  This Is Where The Smoke Comes Out - A Collection Of Memories

Have a look, and leave a comment. 

This is the same as everything else. Finding those interested in it is very hard, as there are 6 billion other things screaming for attention, so no one will notice. "The Long Tail" ended up being not true either.

We can be contacted at Art & Technology



Tuesday, May 21, 2019

Car Cartoons and Illustrations



We do a lot of business related vector logo work, but we also do straight cartooning , such as these samples above.

All starts with pencil on paper, but ends up in the computer and digitally colored. I think this gives the best results, but as we blogged before, we do the occasional water color work too.

Have been posting recently to some car truck bike cartooning Facebook groups. Interesting, but everything on Facebook scrolls away never to be accessible again in a few days time.  It isn't like a permanent gallery, so you still need to go to someones website to see their collection of work.

See ours, and contact us at ArtAndTechnology




Saturday, April 20, 2019

Good Taste Just Never Goes Out Of Fashion... or Vectors


Says the pink fox tailed fat guy....

This is a vector design. Starts as a pencil sketch, but is converted into a series of mathematical lines, curves and objects, some with cut outs in them and completed with a solid color or a mathematical graduation between 2 colors.

Doing this makes it size independent. No mater how small or large you print the file, the lines and colors are "perfect". Never get any jaggies or pixelization you would if you digitally painted it at whatever resolution instead.

The thing sign makers and printers love. Of course of it was done in color at 300dpi, that is good enough for a glossy magazine, and we do that too.

We can be found at Art & Technology.


Saturday, March 16, 2019

The Artists Art and The Artist - A recent Twitter Artist Event.


The Twitter Art community has a few yearly Art promotions.  One is for Artists to post a picture of themselves surrounded by eight of their works.  Such as the above.

An interesting aspect of this is that many artworks look a lot like the artists. Many artists that do character art appear to draw themselves in most of what they do.  Not the case for me, but as I mostly do mechanical/ automotive related commissioned work that wouldn't happen anyway.

Thing is I found it hard to select just 8 artworks. I do caricatured, cartooned, but also realistic depictions AND logos.  The above was the comprised selection I came up with a few months ago.

At another time I would have a different selection.

To see the range , visit our website, ArtandTechnology.com.au  where the range is on display... where you will also find links to our store, videos and music.



Saturday, January 12, 2019

The New 2019 and a Realization

Just noticed 12 months ago the post here was on comic printing. Getting those double sided pages in the right order.  Others involved music production and my first try at translating manga.

So if I look back at the year I didn't talk much about the ongoing illustration work I do.  Mostly Automotive related.  As a lot of that is caricatured, it does relate to much of the comic related posts. A picture tells a story, even if a comic is much more about the story. But as I put the new Art samples up on our website, I rarely mention them here.

The translation thing is the topic that stands out as being  very different, as far as topics go on this Blog, but has been a very significant aspect of my life for 35 years or so.  Even if making those 20 or so pages of the manga in English looked like they came out of the blue.

My wife and kids are native Japanese speakers.  So I have been involved with a lot of English to Japanese and Japanese to English translations, without being a "translator" for many decades.

There are a lot of expressions in English that if directly translated don't mean anything. A lot of Slang is the same. And the reverse is true of Japanese.  So a lot is not what it says, but what it means.

I am now following a few different Japanese to English Translators on Twitter, people that do that for a living, and have found them to say what I was thinking all along.  Fluency in Japanese and being a great Translator into English are "almost" not related to each other.  The Translator is the one doing the writing in the new language, and must be a good writer in that language. They also must be an expert in the field the text is in.

So I Realized I was on the right track all along....